Profile
True Colors Mural Project
Master artist Juana Alicia Araiza founded the True Colors Mural Project in 2008. She directs this public mural program based in the East San Francisco Bay Area. TCMP preserves and revives the legacy of Mexican and Chican@ Mural Movements through the teaching of its philosophy and…
Profile
Patricia Zavala de Arias
Deshilado (des-ē-lah’-do), or Mexican openwork embroidery, is traditionally used on household items such as tablecloths, napkins, and linens. Openwork embroidery is the art of removing threads from a fabric to create a design over which embroidery is made. Patricia Zavala de Arias learned deshilado from her mother in her hometown…
Profile
Juana Alicia Araiza
The Chicano mural movement began in the 1960s in Mexican-American barrios throughout the Southwest. Artists began using the walls of city buildings, housing projects, schools, and churches to depict Mexican-American culture. Chicano muralism has been linked to pre-Columbian peoples of the Americas, who recorded their rituals and history on the…
Profile
Maria Salazar
Día de los Muertos (Day of the Dead) is a Mexican celebration with indigenous and Catholic roots. Observed on November 1 and 2 each year, the holiday honors deceased friends and family. Traditions connected with the holiday include building private altars (ofrendas) honoring the deceased using sugar skulls, marigolds, and…
Profile
Leah Mata
The Chumash historically inhabited the central and southern coastal regions of California, in portions of what is now San Luis Obispo, Santa Barbara, Ventura and Los Angeles Counties. As many other Native peoples, the Chumash wore special regalia during song and dance ceremonies. Chumash regalia includes a broad range…
Profile
Sylvia Puananiha’aheo Edgar
Hawaiian hula is an indigenous dance form accompanied by oli (chant) and mele (song). The oli and the hula dramatize and accentuate the mele, which carries valuable information: history, genealogy, religion, geography, geology, etc. There are many styles of hula which have been divided into two main categories. Kahiko…
In 2013, the Asociation de la Pelota Mixteca de California Central received funding from ACTA’s Living Cultures Grants Program for the Festival de la Pelota Mixteca, taking place each weekend between May and June. The Oaxcan game of pelota is played by men utilizing an ornate…
In 2013, Comunidad Tlacolulence en Los Angeles (COTLA) received funding from ACTA’s Living Cultures Grants Program for two observances of this Oaxacan indigenous community. The Mayordormia Tlacolulence, celebrated elaborately with pageantry and symbolism on particular saints’ days, will take place in October in West Los Angeles.
Profile
Asian Improv aRts
Founded in 1987, Asian Improv aRts’ mission is to produce, present, and document artistic works that represent the Asian American experience. In pursuing this mission, Asian Improv aRts seeks: 1) to make it possible for artists to create innovative works that are rooted in the diasporic experiences of Asian and…
Profile
Jennifer Malone
Jennifer Malone (Wukchumni, Tachi, Yowlumni) comes from a long line of basketweavers, including her grandmother, Beatrice Arancis, and her mother, Marie Wilcox. Jennifer is an active basketry teacher, has partnered with and displayed at many community events, and is a board member of the California Indian Basketweavers Association. Jennifer is…
